Renae was very much in love with Brayden despite the fact that she never met him. But Brayden still had a phone that was smuggled in, and he would keep texting her. At the start of 2012, Brayden had apparently been charged with manslaughter and sent to prison. Renae was infatuated with Brayden, and they talked to each other all the time. She started talking to him in 2011, and Camila told her that Brayden was her ex-boyfriend. There were question marks about her relationship with Brayden. Where is Camila Zeidan Now?Īs Renae’s parents reeled from these events, they tried to make sense of what really happened. Intent to end her life,” as per the official inquest.
In essence, she “deliberately slipped from the clifftop with the Security footage from there showed Renae climbing down the cliff face and then disappearing. Teresa found Renae’s shoes over there, but Renae herself was nowhere to be seen. Somewhere close to 8:45 PM the same night, police found Renae’s car at The Gap, a cliff overlooking an ocean in Sydney. After a search for her turned up fruitless, the police were involved. A worried Teresa tried calling her daughter, but there was no answer. On August 5, 2013, Teresa received a text from Renae saying sorry for the pain that she would cause and that she loved her. At the time, she had been dating a guy named Brayden Spiteri, who was introduced to her by one of her friends, Camila Zeidan. She was a trained hairdresser and a receptionist. Renae was described as a bright and bubbly girl with an infectious smile. Her parents separated shortly after, and then Teresa met Mark Marsden. Schlissel.Renae Marsden was born in 1992 to Teresa Marsden and Jamie Deathe.
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Production: Scott Free Prods., De Line Pictures.Ĭast: Leonardo DiCaprio, Russell Crowe, Mark Strong, Golshifteh Farahani, Oscar Isaac, Simon McBurney, Ali Suliman, Alon Aboutboul.Įxecutive producers: Michael Costigan, Charles J.D. He is a little too much of a white knight in this dark world, but DiCaprio gives the role plenty of brio, while Crowe - who reportedly gained 50 pounds to play the morally and physically sloven office spook - is agreeably obnoxious.Īs usual with a Ridley Scott production, tech credits are superb. With Hoffman running operations behind his back, he has no safety net, even an illusory one. What motivates Ferris is never clear, and this is the film’s greatest weakness. Rules of the day are established with primacy given to swift execution by a colleague if anyone is likely to fall into enemy hands and suffer horrifying torture. Urgency fills the characters’ every waking moment. He switches points of view rapidly from Ferris in treacherous terrain to Hoffman multitasking on the phone while dealing with his family and suburban life to overhead camera angles of the Predator tracking system. Scott pushes the film at breakneck speed. Even so, the relationship is a naked stratagem to create a nearly fatal emotional attachment for the spy. Any relationship between a Muslim woman and American passing through Amman, Jordan, would be most unlikely in that society. In trying to flush a ruthless terrorist (Alon Aboutboul) out of hiding, the uneasy duo encounters a silky and charismatic head of Jordanian intelligence (British actor Mark Strong), an often bewildered local guide (Oscar Isaac), a computer whiz (Simon McBurney), a hapless pawn (Ali Suliman) and a nurse (Iranian actress Golshifteh Farahani).įerris’ tentative romance with the nurse is the film’s most awkward device. Hoffman, who would sacrifice his mother to single-handedly win the war on terror, easily earns Ferris’ enmity, but Ferris needs his eyes and strategies. Back in the U.S., Crowe’s arrogant CIA veteran Ed Hoffman hovers over laptops and tracks ground movements half a world away via spy satellites. It acknowledges bravery, but this bravery is sometimes foolish and its goals often murky and counterproductive.ĭiCaprio’s Roger Ferris is the angry and often frantic man on the ground in the war on terror in Iraq and Jordan. William Monahan’s tough-minded screenplay, based on a novel by journalist David Ignatius, who has covered the CIA and Middle East, sees no action or impulse as heroic. Stars Leonardo DiCaprio and Russell Crowe will certainly bring out their admirers, but how the action-thriller crowd will react to such a disturbing environment is a tough call. But the fiction is rooted in a Middle Eastern reality that is always grim and unsettling. To be sure, the film retains familiar genre elements: It has double crosses and plot twists, a romance - an improbable one - chases, gunfights and last-minute rescues.